Strange Legacy: 2025 (Creature Feature) is actually a continuation of the Strange Aeon anthology series. We are going in a slightly different direction this year thematically with a bit of a break from purely cosmic horror and focusing instead on the creatures, both traditional and original. The editorial style will remain the same. As usual, these style preferences apply to gore and sex as well: think early Weird Tales, no excessive language or explicit sexual references. (You do not have to remove all profanity from your submission—I can read around it—but, if your story is accepted, you will be required to remove it from the final version.)
The theme of this year’s anthology is the “classic” monster story—from old favorites like vampires and werewolves to Lovecraftian creatures [1] to the byproducts of insane science experiments. That being said, please send anything you consider a good story. Feel free to query for any questions. If you are planning to write a story especially for this anthology, by all means query the idea first.
I am especially interested in stories of mad science, monster-based horror, weird western, and stories that “peel the onion.” Indeed, I cannot emphasize strongly enough the need for these categories. Victoriana and Lovecraft era period pieces will have a much harder time finding acceptance.
For this anthology I’m asking for non-exclusive rights and will happily take reprints. Simply tell me the publication history so that I can give proper copyright acknowledgement. I will prioritize original stories over reprints and older, more obscure reprints over more recent ones. Simultaneous and multiple submissions are acceptable; please do so in a professional manner. For multiple submissions, feel free to send all submissions attached to a single email. If you are in doubt about a story or story idea, feel free to query.
Though I am not especially interested in non-fiction or poetry, I will consider it. At most, only one non-fiction piece and one work of (long) poetry will be used.
The goal is a final book with ten to 15 stories averaging 5,000 to 10,000 words apiece. I will be accepting submissions no later than the end of April (or until the anthology is filled. If you are writing a story specifically for this anthology and are concerned about the “is filled,” feel free to query me in advance). I will update these guidelines and notify any already accepted authors if the date has to be pushed back. I plan to start making final decisions beginning in June. All submissions should have final confirmation of acceptance or rejection by the first week of May.
What's in it for the author? There will be a token payment of $20 and a compensatory copy for the author, or $35 for authors outside the USA. Contributors will get a bio to promote their own work. (I would like to avoid a specific word limit on bios; please respect the reader and the fact that every additional page raises the cover price. I reserve the right to edit bios for space.) Copyright will be retained by the author. Payment will be upon acceptance with comp copy to follow release of the anthology. If, due to unforeseen circumstances, the anthology is cancelled, the author is, of course, to keep the $20. [2]
Important Notes:
1] Authors new to working in the Mythos may find this a bit confusing. Let me be clear: do not use characters, creatures, book names, or anything else from modern authors. Modern authors are under copyright. Lovecraft and the other members of his original “circle” are largely under public domain. Please, do not accidentally infringe on anyone’s copyright. Always check first. In addition, gaming rules and supplements are also copyrighted works and should not be used. If in doubt, only use Lovecraft’s own work as a source just to be on the safe side. Better yet, create your own. This is always important when writing but especially in the murky pseudo-shared world of the Mythos where the lines are more difficult to see. If you have questions or concerns about this, a quick internet search should tell you what you need to know. (One exception is if you wish to include Cobalt Green milieu references. Any Cobalt Green tie-ins should be queried first but since I own the copyrights, I also have the leeway to grant usage rights. Nevertheless, I would still rather see your original ideas.)
2] Since any publication, the first
time, in any form, is by definition a use of First Rights, if you sell an
unpublished work, even on a non-exclusive contract, then you have used your First
Rights. And once First Rights (North American, World, Print, E-, or whatever
other form they may be) are used, it's all reprints from there and most places
are no longer interested. I would love to see your work, but I don’t want
you to lose out on another market because of confusion about the rights. As
noted earlier, I am interested in reprints for this project. One of the goals
of this anthology is to help writers and readers in this specific genre
interest discover each other. For this, reprints work very well.
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